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Accentuation

Quenya accent is pitch-dynamic: the stressed syllable is pronounced louder and with higher pitch. It is limited (can only occur in specific positions) and is not lexical: the accent doesn’t differentiate words like it does in English or Spanish.

General Rule of Accentuation

Possible Positions of the Accent; ‘Long’ and ‘Short’ Syllables

The main accent can only normally fall on one of the two syllables of a word:

  • the penult: the second-to-last syllable of a word (x-x-x);
  • the antepenult: the third-to-last syllable of a word (x-x-x).

Accentuation is determined strongly by the length of the penult syllable of a word. For the purposes of accentuation:

  • a syllable is long if it is closed, or contains a long vowel or a diphthong;
  • a syllable is short if it is open and contains a short vowel.

For vowel quantity (long/short), → 1.7.

Penultimate Law

If the antepenult is long, it takes two morae:

  • closed syllable: lótesselo-o-[t-e2-s1]-se
  • long vowel: untúpaun-[t-u2-u1]-pa
  • diphthong: alasailaa-la-[s-a2-i1]-la

If the antepenult is short, it takes one mora:

  • termaruvater-[ma2-ru1]-va

Consequently, in words of one or two syllables the stress is always prototonic:

  • elen[e1]-len, vala[va1]-la, óre[o2-o1]-re

Exceptions

Secondary Stress

Exceptions

Rhythmic Lengthening

After historic stress shift (@@), the Quenya accent got fixed. As a result, in some inflections to preserve the prosodic pattern, the vowel bearing the secondary accent lengthened and took the main accent instead:

  • I’lúvaˌtar — I’lúva’táro (not *‘Ilú’vataˌro)
  • ‘máriˌe — ‘mári’éno (not *ˌmá’rieˌno)
  • ‘tuluˌva — ‘tulu’váse (not *tu’luvaˌse)

The only notable exception to this is genitive of paroxytone words in partitive plural (@@). By Exception 2, the main accent shifts forward from li:

  • ‘mali’norne — ‘mali’norneˌli — ‘malinor’néliˌon or ‘malinor’neliˌon (not *‘maliˌnorne’líon)

In that case, the lengthened vowel would be stressed even by the general rule. Colloquially, it shortened:

  • ‘vaniˌma — ‘vani’máliˌon or ‘vani’maliˌon

Pitch and Intonation

Pitch is used to distinguish forms at utterance level only, and not to distinguish lexical items. In utterances of the phonological word pitch may distinguish different functions. In isolation, the main stress is always marked with a high tone. The secondary stress was lower, when equally strong, and low otherwise (→ RGEO/60):

  • fal˦-ma˧-lin˥-nar˧
  • an˩-[du-u]˥-ne˧

A statement is uttered with a lowering in pitch on its final part (the last word or phrase in the case of long utterance), and a question with a rising pitch (→ PE22/160). In neutral statements the pitch rises until the main stress and then drops, with an overall ascending-falling movement (see Fig. 2.1-2).

Figure 2.1: Pitch contour of a neutral phrase from the recording of Namárie

Figure 2.2: Pitch contour of a neutral phrase from the recording of Namárie, showing L% boundary

Emphasis on an element (a phonologicla word or phrase) is signalled by an ascending pitch on that element (see Fig. 2.3, → PE22/161)

Figure 2.3: Pitch contour of emphatic phrase from the recording of Namárie